Moonraker came out just as the 70s were coming to an end. Using the same team as brought about the success of The Spy Who Loved Me: Lewis Gilbert directing, Roger Moore (obviously) starring, Christopher Wood writing and even Richard Kiel returning as the henchman Jaws, the film had a notably higher budget - almost double - and exaggerated the comedy aspects while still retaining the evergreen Thunderball plot.
The Spy Who Loved Me
The Spy Who Loved Me is a great title, but a terrible book. Ian Fleming's ninth Bond novel is little more than novella. But even this slim piece of silliness was too embarrassing. The book is narrated by a Canadian girl and if you think the author of Chitty-Chitty Bang Bang and 007 can't write from a female perspective prepare yourself for a shock. He can't.
The Man with the Golden Gun
I feel I've been a bit harsh with the first Roger Moore entry into the Bond franchise and I doubt I'm going to make any friends by stating that The Man with the Golden Gun, the 9th film in the franchise and the final entry to be directed by Guy Hamilton, is actually fairly good. Or not that bad. Or ... well, you get the picture.
Live and Let Die
Roger Moore had been in the running for Bond right at the very beginning of the series fro Dr. No, but his commitment to The Saint got in the way. With Connery out of the picture definitively and Lazenby proving a bust, the studio wanted an American to play the part with Burt Reynolds actively courted. Fortunately, Reynolds thought it was a British part and the producers agreed and Moore was ultimately cast. Live and Let Die was to be his first of seven appearances as James Bond.
John Bleasdale is a writer, novelist and screenwriter.