Barry Lyndon is Stanley Kubrick's tenth feature film. It came after a series of magnificent successes capped by the the trauma of A Clockwork Orange, a film that Kubrick withdrew from distribution in England after death threats. The handsome adaptation of William Thackery's lesser known novel was greeted with praise for its technical accomplishments, but the film did not enter into the intellectual conversation of the time the way his previous three films had, nor did it win over large audiences, who perhaps not surprisingly preferred the more bite-sized Jaws.
John Bleasdale is a writer. His work has appeared in The Guardian, The Independent, Il Manifesto, as well as CineVue.Com and theStudioExec.com. He has also written a number of plays, screenplays and novels.